HIS voice echoed around stadiums in London and New York - and now his Swindon home has become part of our country's history.
Swindon Heritage unveiled its 12th plaque on Saturday at the Bath Road residence where Arthur Carron grew up.
His 80-year-old son Byron did the honours after giving a short speech about the international tenor's eventful life.
Born in December 1900 in Milton Road and originally known as Arthur Franklin Cox, he was educated at Sanford Street and the town's college.
He sang in the choir at the Central Methodist Church, where a clergyman heard him sing and suggested he take professional lessons in the capital.
He made his operatic debut at the Old Vic as Tannhäuser in 1929.
Arthur was a founding member of the homegrown musical theatre company SALOS (Swindon Light Operatic Society) and used to host meetings and auditions at the house.
In 1931, he became the Old Vic company's leading tenor when it moved to Sadler's Wells Theatre. His roles there included Fra Diavolo, Manrico of Il Trovatore, Radames of Aida, Cavaradossi of Tosca, and Otello.
Arthur studied under Florence Easton, who was so impressed that she suggested he audition for the Metropolitan Opera in New York City.
In 1935, he made his debut there as the first Englishman to sing at the Met, playing Canio in Pagliacci and taking 15 curtain calls during one performance, then remained with the opera house until 1946.
His biggest concert in Chicago attracted an audience of 10,000 people. Before he retired in 1952, Arthur spent the last six years of his career at Covent Garden. He died in 1967.
Arthur Carron's relatives gathered to watch the moment he became forever immortalised in Swindon's history.
After the plaque unveiling, Byron told the Adver: "He was very keen on football - we always went to games together - and he was a keen gardener, and had an amazing voice.
"He used to practise in the front room of that house, it was unbelievable. I heard him at the Met and Covent Garden.
"He sang at Alexandra Palace during the beginning of the BBC and his voice was so strong, it broke some of the microphones, he didn't need one.
"He was a seventh child of a seventh child, which is something special.
"I hope this plaque encourages other people to get involved in opera, I think many people could end up performing professionally."
Listen to Arthur perform in 1943:
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